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All medium sized packages that are no thicker than 2cm can be sent under the category of ‘letters’, which can be shipped for a lower cost.

All standard CDs (non-boxset) and Zines can be sent as letters. Eligible books are noted in their individual pages.
A maximum of 2 CDs or 3 Zines can fit inside a medium letter-package.

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LETTER POSTAGE RATES:

0 – 124g
Australia: $1.20
NZ/ASIA: $3.30
Rest of World: $4.70

125 – 249g
Australia: $1.80
NZ/ASIA: $4.95
Rest of World: $7.05

250 – 499g
Australia: $3.00
NZ/ASIA: $9.45
Rest of World: $14.10

A comprehensive gathering of all the early Abruptum recordings including the first two demos (S/T and “The Satanist Tunes”") + the “Evil” 7″ and the track from the out of print: “Tribute To Euronymous” CD .

Abruptum is a highly regarded, cult and influential act whos’ influence among modern acts: (Khanate, Striborg, Khylst) is unmeasurable!

Abruptum is “The pure audial essence of evil!”

The brilliance of these blood thirsty Francs is insatiable as is the power that this CD yields. After two full lengths(Cut Your Flesh And Worship Satan and De Principii Evangelikum) and numerous split releases and an EP the band finds old wounds to re-open: Blood Libels.

The digipack release has some deluxe spot gloss printing and a booklet which includes some fancy “onion-skin” paper.

Restricted to 18+

Bernhart’s large-size watercolours introduce us to a world of power, lust and cruelty. They depict grotesque sceneries with tied-up women – and, in recent works, increasingly often men – at the mercy of masked creatures, monsters and doll-like characters.

Bernhart’s motifs clearly reflect the artist’s fascination with Japan in general, and shibari (Japanese bondage) in particular, while the grotesque faces lurking behind dark trees, the burning houses and wild animals are eerily reminiscent of fairy tales gone wrong.

Warning: Some of the graphic material in this book might hurt viewers’ sensibilities and is not suited for children and adolescents.

72 pages | full colour
Dimensions: 20.5 x 21.5 x 1.5 cm
Published: September 2008.
ISBN: 978-3-940907-04-2
Limited edition 1000
Language: Bilingual English/French
Weight: 499g

This item is eligible for a lower postage rate

ASCEND is a new collaborative musical project between Gentry Densley (Iceburn, Eagle Twin) and Greg Anderson (sunn 0))), Goatsnake, Engine Kid).

ASCEND re-visits some of the tones, and moods of their past works as well as traveling into uncharted territory all done with the utmost focus on heaviness and power.

Special guest appearances on this album by Andy Patterson (drums), Steve Moore (aka Stebmo, also in Earth and often times : sunn 0))) ) trombone, organ and wurlitzer, Bubba Dupree (Void) guitar AND none other than Kim Thayil (Soundgarden) put down some incredible lead work! The packaging and layout was created by Stephen O’Malley with a homage to our favorite jazz records of the past from labels like ECM and Impulse! (Multi-panel digi-pac w/ booklet inserted.)

Photographs and text by Aspen Michael Taylor
Number of pages: 44
Limited edition

Photographs and text by Aspen Michael Taylor
Number of pages: 44
Limited edition

Finally the comeback metal album of the decade is available on vinyl.

New analog remastering for vinyl & approved by Holocausto himself.
The LP comes housed in a thick laminated gatefold cover & printed inner bag.
Limited to only 500 copies

Finally the comeback metal album of the decade is available on vinyl.

New analog remastering for vinyl & approved by Holocausto himself.
The LP comes housed in a thick laminated gatefold cover & printed inner bag.
Limited to only 500 copies

From the publishers of the best-selling Best Erotica series come these steamy, thought-provoking stories of sexual adventuring by M. Christian, Cara Bruce, and Mitzi Szereto among others. Whether tied up with rope or bound by a lover’s command, these authors probe the erotic spectrum of desire.

Best Bondage Erotica features twenty-one steamy stories of women and men in the throes of pleasurable restraint—intricately secured by ropes, locked in handcuffs, or bound simply by a lover’s command. Always playful and dangerously explicit, these arresting fantasies grab you, tie you down, and never let you go.

Hissing Veil, BESTIAL MOUTH’s debut, is 40 minutes of intense gloom. A meditation on the relationship between transgressor and victim conceived in a flurry of automatic writing, Hissing Veil is an urgent declaration revealed in a barrage of primitive rhythms and feral calls.

Uncompromising, beautiful synth and beat driven compositions haunted by deep and brooding female vocals. Los Angeles’s finest.

Limited to 500 hand numbered copies on clear vinyl.

MP3
Hissing Veil [excerpt]

Consisting of a sole one-hour track, The Endless Coming Into Life sits comfortably alongside the darker end of Kneale’s ever-growing catalog of work dedicated to finding the light (or dark) source of the universal drone.

This work is perhaps Kneale’s most obvious combination of the extreme minimalism of his ambient tendencies and the extreme maximalism of his forays into the center of the subterranean metal guitar riff. The album first lulls one into a meditative state of relative calm before plummeting into the chasm created by the vibrations of a single, snarling riff so heavy it could rip a hole in the heavens.

Psychocandy-style post-punk. Two-minute tunes with two girl singers and infinite reverb. They met in juvie and recorded this at home between hangovers.
L.A.’s Blue Jungle will remind you of the much hyped about Vivian Girls, only better. There are hints of Sleater-Kinney and late-70′s Siouxsie & the Banshes on ‘Here We Go Again.’ If for some reason these kids are too young to know who either of those bands are then please don’t tell them. They’re on to something here.

Playfully referencing the cover of Nick Drake’s BRYTER LAYTER album, this Boris outing has absolutely nothing to do with the British folk singer’s gentle, melancholy vibe. Instead it presents the Japanese rock act at full throttle, churning out raucous metal worthy of prime-era Motorhead (see “Ibitsu” and the fittingly titled “Furi”).
AKUMA NO UTA isn’t exclusively ferocious, however–it also makes room for moodier atmospheric moments, as on the sprawling “Naki Kyoku.” Though Boris does dabble in more experimental recordings (see its work with Merbow), AKUMA NO UTA falls largely into the rock side of the group’s aesthetic, and stands as one of its finest offerings.

Like Sleep, Boris was ultimately inspired by the Melvins (in particular the Lysol album) and Earth. Besides pure heavy riff-droning bombast, Boris adds a unique experimentalist ambience to all they touch. This perfectly explains their involvement and collaboration with such cult-experimental artists such as MERZBOW and Keiji Haino.

Every release from this group is different. Each is colossal in it’s own right, but Absolutego is the group’s finest achievement. Words do not describe this mammoth accomplishment.

Earth moving drones swallow the listener whole, then regurgitate you as a mass of sloth like jelly.

The wait is over! With this brand new studio album from Boris’ the group plays deeply intense blistering psychedelia with mammoth hooks and truly innovative song-writing. Smile is a reinvention of dark heaviness. Smile presents a new sound from Boris which represents everything that is RIGHT NOW.

Boris hope “this is going to be a new experience for everyone beyond music.
‘Features collaborations with special guests: Stephen O’Malley (sunn0))), KTL), and Michio Kurihara (Ghost, White Heaven, The Stars). The Southern Lord version is drastically different than the version of Smile released by Daymare records in Japan. The main difference between the Southern Lord version and the Daymare version is the mix of the actual songs themselves. Where the songs on the Japanese version have a more electronic or noisy-psychedelic vibe, the North American/European version here features a heavier more straight-forward rock aesthetic. Its truly remarkable how the band consciously have set out (and achieved) to make two completely different sounding versions of the same album. It is a testament to their continual, endless well-spring of creativity!

The long awaited masterpiece in misanthropic recordings, “Music, Martinis and Misanthropy,” is re-mastered with a bonus track.

The picture LP, limited to 2000 copies, features the same tracks as the CD but with a shorter bonus track.
A must have!

TRACK LISTING
Side One
1. Invocation
2. People
3. The Hunter
4. Nightwatch
5. Disney Land Can Wait
6. An Eye For An Eye
7. Down In The Willow Garden

Side Two
8. I’d Rather Be Your Enemy
9. Tripped A Beauteous Maiden
10. As For The Fools
11. Shadow Of The Night
12. History Lesson
13. Silence Is Golden

This is a one-sided 12″ EP of instrumental songs about suicide. In the tradition of what are typically referred to as “tone poems”, each song is an attempt at evoking a different suicide scenario and is named for the location in which the imagined suicide has taken place.

TRACKLISTING:

01. Suburban bedroom mp3
(A pretty young girl swallows a bottle of pills for reasons that would have seemed stupid in retrospect, had she lived.)

02. Downtown high-rise loft mp3
(A drunken executive staggers around his apartment all evening, until – in an uncharacteristic moment of impulsive melodrama – he blows his brains out.)

03. High school library, gymnasium and cafeteria
(A fat nerd finally brings his guns to school.)

04. Studio apartment bathroom
(A lonely old widow slits her wrists in the bathtub.)

Free MP3 Bonus Tracks:

05. High School Grounds (Meth remix) mp3

06. Suburban Basement (Lithium remix)

Limited to an edition of 500

Specs
Wrist: Medium Size – 7.75 Inches Max.
Movement: 3 Hand Japanese Quartz.
Dial: 28mm, 4-Color Process, Multicolor.
Case: 34mm, Plastic, Glossy Red.
Crystal: Plastic w/ Protective Film.
Buckle: Plastic, Glossy Red.
Loop: Plastic, Glossy Red.
Straps: 16mm Wide, Sandwich Strap.

Features
Water resistant up to 10 meters / 30 feet, but not recommended. Please keep your watch out of hot tubs and saunas.

About the Artist
Chris Ryniak was born in 1976 in a safely distanced suburb of Detroit. He spent his childhood basking in the warm glow of Saturday morning cartoons, monster movies and flipping over rocks in search of insects and reptiles. In his teenage years, Chris’ attention would shift to the world of skateboarding and the artists associated with the skate community, which later led to interests in commercial illustration. A graduate and former instructor at the Ringling School of Art and Design, Chris is now a painter and sculptor of all manner of critters that grace canvases as well as toy and print platforms. Chris’ work has been exhibited in galleries throughout the world and his paintings have also been published in numerous books and periodicals. Chris currently resides in a coastal Ohio Dutch Colonial town with his wife, two children, cat and frog.

Compilation of Avantgarde / Transgressive & Underground art films.
DVD Region 0
Limited to 500 copies.

FILM LIST:

Washing machine
Ca Ca Ca
Québec, 2007, 5min

HYMN TO PAN
François Miron
Québec, 2007, 5 min

Man spricht Deutsh
Filmgruppe Chaos
Allemagne, 2001, 2 min

Dream of samarra
Usama Alshaibi
Eu/Iraq, 2007, 1min

Sacré-cœur de Satan
Serge de Cotret
Québec, 2008, 10 min

Satan Bouche un Coin
Jean-Pierre Bouyxou
France, 1968, 10 min

YELLOW FEVER
Frédérick Maheux
Québec, 2008, 2min

Dead Man II:
Return of the dead man
Aryan Kaganof
Pays-bas, 1994, 25min

J.
Solomon Nagler &
Alexandre Larose
Canada, 2008, 7min

(sans titre)
Lucia Fezzuoglio
Québec, 2008, 3min

PASSAGE
Karl Lemieux
Québec, 2007, 15min

The Other American Dream
Enrique Arroyo
Mexique, 2004, 10 min

This item is eligible for a lower postage rate

Compilation of Avantgarde / Transgressive & Underground art films.
Limited to 1000 copies.
DVD Region 0

FILM LIST:

Les Souffrances
d’un oeuf meurtri
Roland Lethem,
Belgique, 1967, 15 minutes

Catharsis
Hélène Cattet & Bruno Forzani,
Belgique, 2000, 3 minutes

Pandrogeny Manifesto
Aldo Lee, Dionysos Andronis
& Breyer P-Orridge
Grèce / France / New York
2005, 11 minutes

Theocordis
Serge de Cotret,
Canada, 2007, 10 minutes

Pantelia
Micki Pellerano,
US, 2007, 10 minutes

Pinhole Flames
Amy Schwartz,
Canada, 2007, 3 minutes

Burn
Reynold Reynolds et Patrick Jolley,
USA, 2002, 10 minutes

Western Sunburn
Karl Lemieux,
Canada, 2007, 10 minutes

Convulsion Expulsion
Usama Alshaibi,
US, 2004, 6 minutes

This item is eligible for a lower postage rate

This installment in the COUM story entitled Sugarmorphoses was recorded in 1974 by Genesis P-Orridge within the COUM headquarters, joyfully known as the Ho Ho Funhouse, and is one of the most far-flung, experimental recordings related to COUM.

This recording consists of Genesis’s candid kitchen recordings of solo broken piano improvisations accompanied by P-Orridge’s own reel to reel experiments using old tape dating back to 1965, from which a young Neil Megson made countless field recordings and homework dictations.

Playful, chaotic, imaginative, and historic.

Strictly limited to only 1000 copies, including liner notes by Genesis Breyer P-Orridge explaining life in the Ho Ho Funhouse and the environment which surrounded this unique recording session.

This is the final unholy razor sharp nail in the coffin for Sweden’s ultra-grim black metal disciples Craft. Unrelenting violence, hatred, and contempt for the outside world. An absolutely lethal fusion of unsuspectingly catchy, well played riffs and instinctual bleak songwriting provide the foundation for sinister enigmatic vokills to infest the final diseased resulting song. Bask in the light of the funeral moon and be possessed, obsessed and consumed by its massive carnal spell.

Words like armageddon and visionary get tossed about around David Tibet (for good reason) but with this latest album, these words seem too small and meek. As hinted on Black Ships Ate the Sky and the split EP with Om, David Tibet has embraced a blistering rock aesthetic for his apocalyptic visions.

Sounding as psychedelic as Of Ruine Or Some Blazing Starre or The Inmost Light trilogy, there is also a heaviness here not heard since the noisy tape loops of Current 93′s embryonic period. Tibet sings of Aleph (an Adam-like character), murder, and destruction as a huge cast of musicians and vocalists create a backdrop worthy of his vision.

Baalstorm, Sing Omega is the most raw, powerful and hallucinatory album yet by multi-million selling Baptist Satanist Toy Boys and Toy Girls Current 93.

The current formation of the group includes Eliot Bates, James Blackshaw, John Contreras, Baby Dee, Andrew Liles, Melon Liles, Alex Neilson, Bea Taylor, Isabel Taylor and David Tibet.

The CD comes in a full-color digi-pack with a booklet including all the lyrics and photos of the banned band; the cover art is a new Tibet painting entitled “She Is Naked as the Water, at the Door.”

BLACK SHIPS ATE THE SKY is the new 76-minute masterwork from Current 93, this time with the line-Up of David Tibet, Michael Cashmore, Ben Chasney (Six Organs of Admittance), Steven Stapleton, John Contreras with William Basinski, William Breeze and Amy Phillips.

BLACK SHIPS ATE THE SKY is the long-awaited studio follow-up to 2000′s Sleep Has His House. It has taken David Tibet four years to complete, and features some very special guests including Marc Almond, Antony, Bonnie ‘Prince’ Billy, Shirley Collins, Baby Dee and others. BLACK SHIPS ATE THE SKY is Current 93′s most powerful and challenging recording, and looks set to be the most important Current 93 release to date.

Comes accompanied with a 56 page booklet.

Originally released in 1985 in an edition of 1000 copies, Dogs Blood Rising was the second full-length release from Current 93. This highly limited edition reissue has been “significantly restored and remastered”, presented in a fashion that reproduces the original edition as closely as possible.

Capturing Current 93 at their most experimental, Dogs Blood Rising carries an immense power, with David Tibet’s diabolic utterances in truly chilling form, dissolved into the gothic/industrial soundscape by a Stephen Stapleton and co.

This material is far-removed from the modern-day Current 93 apocalyptic folk aesthetic, taking on a far more extreme and viscerally challenging form, but nonetheless the lyrical themes and unique idiom the band currently employ are still very much traceable to this point in their career.

Hypnagogue was originally released as a limited EP in 2003 and has been out of print since. This new release, which comes in a full colour digipack with booklet, includes the original and adds a newly recorded version of the piece.

The original featured David Tibet reading from the book of the same name with musical accompaniment by Maja Elliott on piano. The new version features a sublime orchestral arrangement by Michael Masley.

Originally issued in 1984, in an edition of 1000 copies, Nature Unveiled was Current 93′s first ever full length release. Here, the audio has been significantly restored and remastered and is presented as an exact reproduction of the original as possible.

In England’s Hidden Reverse David Tibet compared the sounds on Nature Unveiled to the appearance of shadows cast by a candle’s flame. The exaggerated dance of figures projected by the fire is an excellent metaphor for the reverberated moans and chants that jump and teleport throughout ‘Ach Golgotha (Maldoror is Dead).’ Steven Stapleton’s ability in the studio helped to translate the entire record into an exaggerated and frightening play of monumental blocks of sound. Annie Anxiety’s truly awesome performance in ‘The Mystical Body of Christ in Chorazaim (The Great in the Small)’ is one of her most memorable and it heightens the play of human cries, treated pianos, monastic chants, unidentifiable stereo oddities, and defiant vocals that populate both songs.

The details are made more powerful thanks to Denis Blackham’s remastering job and remarkably this album sounds more clear and robust than many modern recordings made by artists with similar palettes. It has been 24 years since Nature Unveiled was released, but it sounds more powerful now than it ever did.

Originally released in 1994, Of Ruine… follows the classic Thunder Perfect Mind album and marks another leap forward in the sound of Current 93.

The gorgeously delicate guitar of Michael Cashmore augmented by drones, bells and sound manipulations make this one of Current’s most hypnotic albums musically with the vocals and text of David Tibet adding a quietly controlled power and drama which is virtually unsurpassed in the canon of the band.

This reissue has been remastered and features newly designed artwork in a full color digipack with a 20-page booklet.

The long awaited re-issue of David Tibet, Steven Stapleton and Michael Cashmore’s finest work; the Inmost Light trilogy.
Made up of three albums; ‘Where The Long Shadows Fall’, ‘All the Pretty Little Horses’, and ‘The Starres Are Marching Sadly Home’ this is an epic set in every sense of the word, exploring the outer realms of the neo-folk sound and mastering it effortlessly.

Originally issued in 1995/1996, this set, which originally announced itself as being ‘Hallucinatory Patripassianist Song’ reissues in their entirety the mini-albums Where The Long Shadows Fall and The Stars Are Marching Sadly Home, as well as the full length All The Pretty Little Horses. Current 93 became David Tibet, Steven Stapleton, Michael Cashmore and Joolie Wood for this album. Guest vocalists included Nick Cave, Jhonn Balance of Coil, Andria Degens of Pantaleimon and Shirley Collins.
This series was inspired by such visionaries as painter Louis Wain and author Thomas Ligotti (to whom a track was dedicated), nursery singsongs and Christian heresies (most notably Patripassianism, otherwise known as Trinitarian heresy).
In Current 93′s hands, the traditional lullaby that lends the album its title, sparks an explosive torrent of bittersweet childhood memories and apocalyptic prophecies. The musical setting for Tibet’s narrative is exquisite, kaleidoscopic music composed with twelve-string guitar, piano, string arrangements, flutes, bells, massed drones, children’s voices and ecstatic recitations.
A powerful and extremely moving listening experience.

The three discs have been newly remastered and are housed in a deluxe eight-panel digipack with a 24-page full-color booklet of photos of the group as children, a complete set of lyrics and liner notes.

This double CD digifile reissue of Thunder Perfect Mind is similar to the 2003 World Serpent reissue, except that the cover has been somewhat changed and a new photo of Kalki has been added to the booklet.

This contains all the music from the original album, relevant studio out-takes and live material taken from EMBLEMS, CALLING FOR VANISHED FACES and AS THE WORLD DISAPPEARS, as well as one previously unreleased (and very brief) studio piece from the sessions. The album has been remastered and all lyrics are included.

A massive split between transcendent heavyweights Current 93 and Om (Al Cisneros and Chris Hakius of Sleep).

AFRO NOISE I

The latest output from William Bennett of post-WHITEHOUSE infamy – A bludgeoning mix of machine and vaudou/Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever

“13 tracks of startling afro noise that will blow your fucking mind”
“an unholy genre unto itself”

TRACKLIST:

Welcome To The Feast Of Trumpets
Stabbers Conspiracy
Rain Washes Over Chaff
Nzambi Ia Lufua
Who No Knows Go Knows
++++ (Four Crosses)
Backlash
Shut Up And Bleed
Munkisi Munkondi
Impassion
Ezili Freda
Bia Mintatu
Rain Washes Over Every Thing

all songs written and produced by William Bennett
mastered by Denis Blackham
artwork by Mimsy DeBlois

CD version includes 16pp booklet.

In his photographs, Daikichi Amano (b.1973 in Japan), enfant terrible of Hokusai, does not shun even the most impossible types of
embraces.

In his monstrous orgies—elaborate and disturbingly sensual encounters of otherworldly beauty that flirts with the abject—angel-
faced women frolic with snakes and earthworms, elegantly contorted and interlaced eels slipping into every orifice of the human
body. Live toads are sucked-on gluttonously, cockroaches, larvae and other invertebrates embrace, interweave, absorb and suck
on each other until they lock into a hybrid body moving as one under the waves of a new kind of irresistible sensuality.

Each animal possesses its own secret beauty – Amano has made it his calling to reveal their graces: smooth undulating eels, shiny and transparent octopuses arranged in precious and enthralling compositions. Despite being disturbing to the point of nausea,
Daikichi Amano’s works are celebrated internationally. He composes new kinds of tableaux with the bodies of actresses, animals
and insects, translates his nightmares and visions into frozen images, portraits of an almost surreal beauty.

Amano pursues this photographic enquiry into the bizarre realms of erotic imagination with an obsessive and perfectionist eye for
detail, inspired by the Dutch still-lives painters as well as Japanese mythology and the great Ukiyo-E woodcut masters of the Edo period and in particular the erotic Shunga prints.

Textures, surfaces and bodies weave themselves into abstract compositions in his photographs, with flesh, scales and skin taking on the colours of jewels. The abject becomes sublime. This is Amano’s great talent: to reevaluate death not as sterile horror, but as an aesthetic resurrection. He takes up the ancient idea of beauty as ineluctably doomed to wilt, condemned to eventually disappear and thereby aligns himself as an artist in a thousand-year-old poetic tradition that sings of all things fleeting and ephemeral.

Introduction by Agnes Giard

Warning : Some of the graphic material in this book might hurt viewers’ sensibilities and is not suited for children and adolescents.

Hardcover || 132 pages
Dimensions: 23 x 30.5 x 2.5cm
Printed: Germany, 2010
Language: Francais/English
Weight: 0.599kg

Another in the “Cleanse The Hand That Feeds You” Leprosy Discs series, this exercise in exorcism is a sonically double edged ritual.

Whilst the original 2001 release saw the return of the classic Death In June instrumentation of acoustic guitars and trumpet, with the addition of accordion by Andreas Ritter (Forseti), industrial elements also permeate half the album.

Out of print for several years, this new vinyl edition comes as a stunningly unsettling Picture Disc limited to 2,000 copies.

TRACK LISTING
Side One
1. All Pigs Must Die
2. Tick Tock
3. Disappear in Every Way
4. The Enemy Within
5. We Said Destroy II
6. Flies Have Their House

Side Two
7. With Bad Blood
8. No Pig Day (Some Night We’re Going to Party Like It’s 1969)
9. We Said Destroy III
10. Lords of the Sties
11. Ride Out!

“Burial” is a half studio, half live album originally released in 1984 on Leprosy Discs. It was the last recording to feature the original Death In June lineup, as Tony Wakeford departed the group shortly thereafter.
Now issued for the first time as a picture disc, in an edition of 500 copies.
Includes bonus 7 inch picture disc with re-recorded versions of “Death Of The West” and “Heaven Street”.

TRACK LISTING // BURIAL 12″
Side One (Studio)
1. Death Of The West
2. Fields
3. Nirvana
4. Sons Of Europe
5. Black Radio

Side Two (Live in London, 6 October 1983)
1. Till The Living Flesh Is Burned
2. All Alone In Her Nirvana
3. Fields
4. We Drive East
5. Heaven Street

TRACK LISTING // “DEATH IN THE WEST” 7″
Side One (tracks re-recorded June 2005)
1. Death Of The West / 2. Heaven Street
Side Two (recorded specially for the “forseti lebt” album 2006)
1. Death Of The West

Death In June’s “Occidental Martyr” was originally released in 1995, featuring screen actor Max Wearing reading lyrics to Death In June songs over a soundtrack recorded by Douglas P. specially for the album. Max Wearing appeared in Peter Weir’s “Gallipoli” (1981), and Richard Wolstencroft’s “Pearls Before Swine” (1999).

This picture disc edition is limited to 500 copies, and includes two postcards.

TRACK LISTING
Side One
1. 13 Years of Carrion
2. Blood of Winter
3. Lifebooks
4. Symbols of the Sun
5. Torture by Roses
6. Hahahahahahahate

Side Two
8. Accidental Protégé
9. Hail! The White Grain
10. God’s Golden Sperm
11. Symbols of the Sun (Reprise)
12. Leopard Flowers
13. Punishment Initiation
14. ‘Bye’

Death In June’s “Occidental Martyr” was originally released in 1995, featuring screen actor Max Wearing reading lyrics to Death In June songs over a soundtrack recorded by Douglas P. specially for the album. Max Wearing appeared in Peter Weir’s “Gallipoli” (1981), and Richard Wolstencroft’s “Pearls Before Swine” (1999).

This ORANGE VINYL edition is presented in the very last of the original cardstock sleeves, is limited to 184 numbered copies, and includes two postcards.

TRACK LISTING // BURIAL 12″
Side One
1. 13 Years of Carrion
2. Blood of Winter
3. Lifebooks
4. Symbols of the Sun
5. Torture by Roses
6. Hahahahahahahate

Side Two
8. Accidental Protégé
9. Hail! The White Grain
10. God’s Golden Sperm
11. Symbols of the Sun (Reprise)
12. Leopard Flowers
13. Punishment Initiation
14. ‘Bye’
1. Death Of The West

Deathspell Omega return with a 22-minute EP featuring one long song, Chaining the Katechon. Once again, this French Black Metal band does not disapoint.
DEATHSPELL OMEGA and S.V.E.S.T. offer two glances right into the primeval fracture, the suppurating wound at the heart of everything, the fissure undermining up to the least attempt at harmony. Summa Divisio, the first of all divisions, the mother of all scissions and the annunciation of woe and affliction to come.

The work of both bands can be understood as a variation on a same theme, independent yet complementary.

Deathspell Omega is one of the rare bands, especially in the black metal genre that continually finds ways to top each of their previous releases. While there are ashes that remain of their past works, this is extremely chaotic and relies even heavier on dissonance and mind-bending riffs that aren’t so technical as they are cryptic and demented. There are several start and stop moments and interludes of pianos and haunting ambient sounds here as well, performed in a manner that only Deathspell Omega could pull off in such commendable fashion.

The mighty Deathspell Omega returns. Their first release of new material since 2005′s ‘Kenose’, ‘Fas – Ite, Maledicti, in Ignem Aeternvm’ is conceptually the direct successor of “Si Monvmentvm Reqvires, Circvmspice”. It is centred on the notion of divine will, on the seed of perdition that is ontologically a part of Man and therefore of immanent judgement. Musically, it is a very dense album of a technical nature, where violence and dissonance blend into a merciless result, of such nature that it literally kills hope.

‘Fas…’ offers yet another step forward in the evolution of the world’s most foreboding and impressive progressive black metal band.

Musically, it is a league on its own. Black Metal, certainly, but it goes far beyond.

Formats: 6 panel digipak with 20 page booklet

Luxurious 40 page digipak edition. One of the best black metal releases of 2005 and a must own for anyone into extreme metal.
Pure and true!

One of the most heralded acts in the deep dark Black Metal underground, this album marks a shift in direction for Deathspell Omega. Frankly, it leaves their old stuff in the dust. This is a more ambitious, progressive D.O. than before, with thought-provoking material, musically and lyrically, raising the Black Metal standard to new levels.

The legendary Swedish underground metal pioneers
triumphantly return to the metal scene after 11 years!
’Reinkaos’ is a masterpiece of ritualistic and black magical concepts best described as Anti-Cosmic Metal Of Death.

The ultimate re-issue of one of the best Swedish black metal albums ever! The album that defined the latter Swedish Black Metal sound,
filled with Epic freezing cold guitar riffs, blasting drums & sinister vocal arrangements.
The 2nd CD contains the remastered editions of:
Unreleased live recordings from 1995.
INTO INFINITE OBSCURITY EP 1991
DEMO 1992
GRIEF PROPHECY DEMO 1990
REMASTERED REHEARSAL 1990
SATANIZED (Rehearsal 1991)

The fifth official studio album and triumphant return of Earth! With each album released Earth progresses and diversifies their sound, pushing all boundaries of preconception.
With Hex, Earth has created an intensely powerful album that defies the normal restrictions of a particular genre. The monolithic darkness of previous releases remains apparent yet is now channeled into a different direction. This new direction is bold, determined and as essential as anything they have ever done in the past.
Beautifully packaged with a 20 page booklet painstakingly designed by Stephen O’ Malley.

The fifth official studio album and triumphant return of Earth! With each album released Earth progresses and diversifies their sound, pushing all boundaries of preconception.

With Hex, Earth has created an intensely powerful album that defies the normal restrictions of a particular genre. The monolithic darkness of previous releases remains apparent yet is now channeled into a different direction. This new direction is bold, determined and as essential as anything they have ever done in the past.

Beautifully packaged with a 20 page booklet painstakingly designed by Stephen O’ Malley.

Earth’s latest incarnation has arrived. The band returns once again to it’s continuing evolution. Where “Hex” reveled in dark satanic twang and austere american beauty, “The Bees Made Honey In The Lion’s Skull” finds Dylan Carlson and the band growing into a harder, more rock, american Gospel and impovisitory direction framed by truly psychedelic production and blazing guitar sounds.

Earth is also very honored to be joined on this record for three songs by legendary and virtuoso guitarist Bill Frisell. Mr. Frisell adds a brilliant texture and counterpoint to the scintillating and inspired riffs of Dylan carlson and the band. Adrienne Davies joins again on drums lending a classic and steady feel to the proceedings. Steve Moore also returns adding heavy hammond organ and his intense jazz inspired piano playing. Live Bassist Don McGreevy also makes his full length Earth debut on this record. The cd comes nicely packaged in a slip-case/o-card and features artwork by Arik Roper.

“Confessions Of A Narcissist” marks the final full-length release by Fire In The Head ending six years of sonic warfare with an assault of manic, self-indulgent industrial electronics.

Drawing as much influence from early punk / hardcore as from industrial / power electronics, F/I/T/H was conceived as a cathartic outlet to explore and ratify the delusions and social perversions resultant of psychosis and the darker side of man’s conflicted dual nature, to fan the flames which engulf the borders between obsession, compulsion, lust and need.

The tracks on this release were recorded in 2007-2008 and are the last of the “short, sharp, shock” vocal tracks which Michael abandoned in favour of “epic” length industrial / ambient compositions.

Features guest appearances from Nick Blinko (Rudimentary Peni) and J. Randall (Agoraphobic Nosebleed), with exclusive artwork from Blinko.

Track Listing:

1. Gag Order
2. I’m Not Here To Coexist, I’m Here To Win
3. Home Is Where The Whore Is [mp3]
4. Psychotic Underground Mk. II [mp3]
5. Get The Rope
6. Narcissist’s Mantra
7. A Means To What End
8. The Machinery Of Death
9. Home Invasion
10. Complacency Is Your Disgrace
11. The Magi
12. Some Dreams Last Forever
13. Gag Order (Choked Again)